Saturday, 28 November 2020

The Fascinations & Mayfield - Discography

Well this started off as a straightforward Discography for The Fascinations ... but the 'fascinating' thing is what I discovered doing it and the paths it led me down, so it as ended up being much bigger than originally intended, but hopefully you will find it interesting.

For example did you know that Martha Reeves was an original member of The Fascinations? I always 'assumed' that they were from Chicago because of the Mayfield connection, but they were from Detroit.  Shirley Walker aka Shirley Lawson was also an original member, which led to exploring her solo releases which, in turn,  led to a story regarding Dave Godin's (Blues & Soul writer) Soul City release and looking into the writers of one of her records which led down another path which linked to some well known Northern Soul records.
Also, as The Fascinations released the majority of singles on Mayfield, I thought I may as well complete the whole Mayfield discography which led to some background info on The Mayfield Singers from some of the original members. I noted that Guy Draper wrote and co-wrote many of the Mayfield releases but hadn't realised that he was one of the members of the group along with Leroy Hutson and Donny Hathaway! Anyway, enough of the preamble, all will be revealed below.

The Fascinations

Formed in 1960 by Shirley Walker (aka Lawson) and Martha Reeves, who recruited the Boswell sisters, Bernadine and  Joanne and Fern Bledsoe.   Reeves left later in 1960 leaving a quartet. They were introduced to Curtis Mayfield (after meeting Fred Cash & Sam Gooden of The Impressions) who got them signed to ABC Paramount where they released 2 45s in 1962 and 1963 which did nothing commercially so were released by ABC. They went back to their day jobs until Mayfield signed them to his new Mayfield label in 1966.  The Fascinations featured on 5 of the 7 Mayfield released until it folded in 1968, although, subsequently another 45 would appear on the Mayfield imprint (which was published by Buddah) in 1971 by Marvin Smith (former lead singer of The Artistics) - You're Really Something Sadie c/w Who Will Do Your Running Now which is a well respected NS favourite.

Mayfield Discography

ABC Paramount

Both released as The Fasinations
1962 - Mama Didn't Lie / Someone Like You [45-10387]
Composers: Curtis Mayfield / Alvin Williams
Mama Didn't Lie was a hit for Jan Bradley in 1963 which cut short The Fascination's version.

Composers: Bernadine Boswell / Curtis Mayfield

Mayfield

Name changed to The Fascinations
Composers: Curtis Mayfield / Guy Draper
A: Skippy
B: Great Northern Soul

Composers: Curtis Mayfield / Curtis Mayfield, Guy Draper
A: Northern soul classic
B: Nice soul harmony

Composers: Curtis Mayfield / Curtis Mayfield
A: Another 'skippy' Northern soul dancer
B: Deep Ballad

1967 - Hold On / Such A Fool [M-7718]
Composers: Curtis Mayfield / Curtis Mayfield

An unreleased track called 'Crazy (Keep Telling Me Baby)' was discovered on an acetate (by well known UK soul aficionado Tim Ashibende) and bootlegged on T.N.T. as Sherry Gibbs & The Hearts with 'I'm A Fool' on the flip side which is an alternate version of 'Such A fool.  'Crazy' has subsequently been issued by Outta Site on a UK 45 as the flip to 'Girls Are Out To Get You' in 2011.

Composers: Curtis Mayfield / Curtis Mayfield

The Mayfield Singers

The Mayfield singers were students in Washington D.C. who were auditioned by Curtis Mayfield and the other two Impressions at the time, Fred Cash & Sam Gooden. Their original name was The Cavaliers - from the name of the apartment building on 16th Street where a couple of them lived.

The Cavaliers sang an Impressions song that Donny had re-arranged so uniquely that Curtis, Sam Gooden and Fred Cash did NOT recognize it for several bars!  They loved the group.

The group members were Guy Draper (California), Marshall Morrison (Tennessee) (the soulful second lead voice heard), Augustus Pearson (Omaha), Michael Hawkins (Washington DC) , Leroy Hutson (New Jersey) , Barbara Carter (Washington DC), Tommy Williams (Washington D.C.) and Donny Hathaway

Leroy Hutson became the lead singer for the Impressions when Curtis Mayfield went solo.
Tommy Williams was later 1st tenor for The Presidents, who recorded 5, 10, 15, 20 Years of Love. The Presidents also recorded in the 70's as Anacostia - named after the neighbourhood in Southeast, DC.

Mayfield signed them, changed their name to the Mayfield Singers and put them in the studio.

Acknowledgement:  I took a lot of the info above from comments left by group member Michael Hawkins in the linked YT clip - so it 'should' be accurate.

A: Great arrangement of The Impressions classic
B: Northern soul which has sections that sound like The Magnificent 7 theme!  Lo-Fi sound quality I'm afraid as only one i could find.

The above is the only 'official' release from them at the time, but several issue of previously unreleased tracks and bootlegs have appeared over the years.

???? - Don't Start None / Don't Start None (Inst) [Mayfield #7777]
This was discovered by Tony Rounce (Ace) on some Roulette tapes in the late 90s, who passed a copy to Ady Croasdel to play at 100 club. Ady gave copies to Butch and/or Keb Darge. It was 'dubiously' released on 45, Ady claims that it was 'nefariously' released on 45 by another record company i.e. not Ace/Kent who discovered it.

2011 - My Baby Changes Like The Weather / Don't Start None [OSV022]

This is a great tune written by Frank Wilson & Hal Davis originally released by Smokey Robinson & The Miracles on Going To A Go-Go album in 1965 and, as far as I'm aware, never saw a 45 release.
Another unreleased, version appeared on Cellarful Of Motown Vol. 4 CD in 2010 by The Vows, who had only one record released by Motown, Buttered Popcorn / Tell Me on V.I.P. in 1965.  Morris ('Too Darn Soulful') Chestnut was a member but the line-up changed so not sure if he's on this track, but it does sound like him.  There's a great thread on Soul Source about The Vows which covers Chestnut's further work with The Sound Masters and The Attractions.
Yet another version was discovered (or at least played) by Ian Levine in 2014 by Bobby Callender - My Baby Changes Like The Weather [Bamboo #101]. Bobby sounds very like a female singer on this track so I checked and can confirm he's male! ... am I even 'allowed' to say this in the woke world?

Tony Foxx

To complete the Mayfield Discography the remaining release is:
1967 - Because / E.S.P. [M-7715]
Two deep soul cuts, E.S.P. was released a year later as a B side on Calla.

That concludes the Mayfield Discography, but here's one for member Shirley Lawson.

Shirley Lawson

1965 - So Much To Me / Sad Sad Day [Enterprise # E-5040]
A: This has a Curtis Mayfield feel about it although not written by him, but Harry Gates.
B: Early 60s almost doo wop ish

Co-written by Anthony Wilson and Dale Warren.  Wilson also had a hand in writing Tommy Rodgers Pass The WordI Lost A Good Thing for Gwen Owens on Velgo as well as producing her NS classic Just Say You're Wanted (And Needed) and Two Plus Two - I'm Sure / Look Around), Sandy Hollis - I'm Tempted (on which, although uncredited, a duet with Sonny Monro (Carlis McKinley Monroe) of The Falcons - who did a modern take on Darrell Banks classic Open The Door To Your Heart in 1975 on Epic) / Tables Have TurnedOrtheia Barnes - Take My Heart And Soul , Ponderosa Twins + One - Bitter With The Sweet.
 
Warren co-wrote Ronnie & Robyn - Sidra's Theme and Gigi & The Charmaines - Guilty / Girl Crazy was arranger on dozens of 45s including the following:  
Chuck Jackson - Good Things Come To Those Who Wait [Wand]
Betty Lavette - Let Me Down Easy [Calla]
Ja Neen Henry - Baby Boy [Blue Rock] - originally by Juanita Williams
Theresa Lindsey - It's Love [Correc-tone]
Deon Jackson - Love Makes The World Go Around [Carla]
Les Chansonettes - Deeper [Shrine]
The Falcons - I Can't Help It / Standing On Guard [Big Wheel]
The Cairos - Don't Fight It / Stop Overlooking Me [Shrine]
Art Posey - No More Heartaches [Scope]

I'll stop there as there are so many others. If interested further, then I suggest you explore Dale Warren's output.


1966 - The Star / One More Chance [Back Beat 567]
Another example of such a great double-sided Northern Soul record would be hard to find. £250-£350 might get you a copy. It was also scheduled for issue on Dave Godin's short-lived Soul City label in 1968 but was withdrawn as there was a dispute with Island who who were responsible for Back Beat licensing in UK, but some were sold before they were withdrawn which explains why they are so rare on UK Soul City fetching as much or more than the original Back Beat issues.

Maze Feat. Frankie Beverly - The Best Of...


I think I'm right in saying that the music of Frankie Beverly & Maze seemed to be more popular in the UK in the 80s than US.   They seemed to be 'adopted' by the UK Soul Weekender scene 'back in the day' where many of their tunes became weekender anthems.

Consequently they had 7 singles which entered the UK Chart. The track that probably comes to most people's mind is their classic Joy And Pain, which was never actually released as an A side in US!


Before I go into the band, Frankie Beverly was active before this in the 60s. Born Howard Beverly in 1946 in Philadelphia. He changed his name after his early influence from Frankie Lymon. He recorded with Philly group The Silhouettes (who had a hit with 'Get A Job' in 1957) at the age of 12. Still a teenager he formed The Blenders, I don't think that any material was recorded by them. 

In 1963 he formed The Butlers.  The group consisted of Frankie Beverly, Jack 'Sonny' Nicholson, Joe Collins, John Fitch, and Talmadge Conway.  They recorded several 45s for a number of different labels between 1964-69, Liberty Bell - 'She Tried To Kiss Me (All I Could Do Is Run)' (a frantic NS dancer) / 'The Sun's Message' (Doo-wop ballad) and Phila - 'Butlers Theme' (NS instrumental) / 'Laugh, Laugh, Laugh' (a nice NS dancer which I have to confess not hearing before) as The Butlers and then changing their name to Frank Beverly & The Butlers for a release on Sassy for his classic Northern soul favourite 'If That's What You Wanted' and the wonderful 'Love (Your Pain Grows Deep)', although one of the issues had 'This Is Just A 'B' Side' as the flip. This is a sought after item as it was withheld from release as the record was picked up by Gamble for release, however, the producer (Billy Jackson) released them in the 70s. The Gamble 45 commands a higher price tag, perhaps because of the Sassy 45's availability in 70s. This record has been bootlegged several times on O.O.T.P. (Out Of The Past) a renowned label for bootlegs in 70s and Liberty Bell in 1973, and got an official UK release on Neil Rushton's Inferno label in 1979.

Two more release came out on Fairmount with the name changed again to Frankie Beverly & The Butlers, She Kissed Me / Don't Cry Little Sad Boy and  'Because Of My Heart' another NS favourite, along with 'I Want To Feel I'm Wanted' which is a great mid-tempo tune that ought to get plays these days, but probably won't as the crazy thing is in 2013 this record sold for £24 but the last one to sell on Discogs sold for £1,800! Because My Heart / I Want To Feel I'm Wanted was also released on Rouser (with the same cat no as Fairmount) as The Butlers With Frankie Beverly.  Rouser was a Washington D.C. based label owned by Tommy Rouse with only 3 releases listed. I would 'guess' that this is a reissue. None have ever sold on Discogs so it must be pretty rare - apparently one sold on ebay in 2012 for $4,173! There is a topic on Soul Source about it, apparently it is a slightly different, edited, mix.  

A final release came out as The Butlers on Gamble She's Gone (Crossover/Ballad) / Love Is Good (Northern/Crossover) in 1969.

Beverly then formed a band in Philadelphia in 1970 under the name Raw Soul (I don't think it's the same band which had a funky instrumental track played on NS scene mid 70s called 'The Gig' on DPG (a label owned by Lenis Guess) who were from Norfolk, VA and were Lenis Guess's house band who also went under the name The 35th Street Gang).

Their first single was The "Raw Soul" With Frankie Beverly - You Left Me / Open Up, Your Heart recorded on the tiny Eldorado label in Philadelphia in 1969 and released 1970, co-written by Beverly, Charles Earland and Leon Fisher and co-produced by Beverly and Earland. Only one other 45 is listed for the label by Charles Earland's Erector Set an instrumental of Stevie Wonder's My Cheri Amour c/w Yes-Suh!. 

They followed this up with 3 singles as Frankie Beverly's Raw Soul on Gre-Gar, an RCA subsidiary which ran from 1967-72 and released an eclectic mix of artists of which theses are the only soul related ones I can see.

People In The Know is a hard funk number written by Beverly and Understanding (poor quality sound clip) is another funky track, co-written by Beverly and Leon Fisher

1971 - Color Blind (Funk) / Mother Nature's Been Good To Us (Ballad) [71-0108]
Both sides co-written by Beverly and Leon Fisher

This is the raw original of While I'm Alone written by Beverly, the others side is a track written by Taj Mahal.

The line up was Franke Beverly, Kenny Young, Paul Lermen, McKinley 'Bug' Williams, Teddy White, Jerry Cohen, Roame Lowery, and Walter 'Sleepy' Watts.

Raw Soul moved to San Francisco and met Marvin Gaye and toured with him in 1976 as his opening act.  On Gaye's advice they changed their name to Maze.

I found some live footage of Raw Soul performing an unrecorded track (at the time but it was later released on Golden Time Of Day album in 1978) at Winterland in San Francisco in Feb 1975 called 'I Need You'. The video and audio quality is excellent.


... and here's another clip of Color Blind live


.. and another 'Song For My Mother'



To date, between 1977 and 1993,  they have released 8 studio albums and 2 live albums 'Live in New in Orleans' 1981 and 'Live in LA' 1986.

Album Discography

1977 - Maze Featuring Frankie Beverly
1978 - Golden Time Of Day
1979 - Inspiration
1980 - Joy And Pain
1981 - Live In New Orleans
1983 - We Are One
1985 - Can't Stop The Love
1986 - Live In Los Angeles
1989 - Silky Soul
1993 - Back To Basics

From a chart perspective their biggest hits were Back In Stride and Can't Get Over You both of which topped the US R&B chart in 1985 and 1989 respectively.  Popwise in US they only had 4 entries in the Billboard Hot 100 Feel That Your Feelin' #67,Love Is The Key #80, Back In Stride c/w Joy And Pain #88, While I'm Alone #89.  As stated earlier they fared better in UK with 7 entries but only one reached top 40:


I'm surprised that While I'm Alone isn't in the UK list, but I guess it's because it was one of their earlier recordings before they became better known in UK and was their first entry into US R&B chart in 1977.

It may seem perverse to some, but soul aficionados in UK (and elsewhere) are more interested in the records that didn't chart, B sides and album only tracks as these often contain undiscovered gems.  So let's explore some of those.

1977
Lady Of Magic - a nice mellow ballad / stepper.
Happy Feelin's - album track only 'Maze Feat. Frankie Beverly'
You  - album track 'Maze Feat. Frankie Beverly' but did come out in 1981 as b side to 'We Need Love To Live'
Look At California  - album track only 'Maze Feat. Frankie Beverly'

1978
I Need You - album track only 'Golden Time Of Day'

1979 
Lovely Inspiration album track only 'Inspiration'
Call On Me - B side to Timin' - a lovely smooth stepper
Woman Is A Wonder - album track only 'Inspiration' - mellow ballad/stepper

1980
I Want To Thank You - B side to Southern Girl
The Look In Your Eyes - superb UK weekender anthem that failed to chart except US R&B #29

1981
Family - B side to 'Running Away'
Before I Let Go - another UK weekender anthem that failed to chart except US R&B #13. This had Joy & Pain on B side. Joy And Pain was only released as an A side in UK with Happy Feelin's taken from their first album on B side in 1981.  Before I Let Go was issued in UK with Golden Time Of Day on the B Side.
Changing Times - album track only 'Joy And Pain'
Happiness - album track only 'Joy And Pain' - a soulful ballad

1983

1985
Can't Stop The Love - album only 'Can't Stop The Love '

1986
When You Love Someone - wonderful mellow ballad which highlights Frankie Beverly's silky smooth vocal abilities.

1989
Somebody Else's Arms - album only 'Silky Soul'
Love's On The Run - a change of style with a synthesised bouncy stepper
Change Our Ways - album only 'Silky Soul'

1993
Nobody Knows What You Feel Inside - album only 'Back To Basics'
Love Is  - album only 'Back To Basics' - another cool stepper